Wednesday, March 11, 2020

Standard English Definition and Examples

Standard English Definition and Examples Standard English is a controversial term for a form of the English language that is written and spoken by educated users. Abbreviation: SE. Also known as  Standard Written English (SWE). According to Tom McArthur in The Oxford Companion to the English Language (1992), the term Standard English resists easy definition but is used as if most educated people nonetheless know precisely what it refers to. Examples and Observations The term Standard English refers to both an actual variety of language and an idealized norm of English acceptable in many social situations. As a language variety, Standard English is the language used in most public discourse and in the regular operation of American social institutions. The news media, the government, the legal profession, and the teachers in our schools and universities all view Standard English as their proper mode of communication, primarily in expository and argumentative writing, but also in public speaking.Standard English is thus different from what is normally thought of as speech in that Standard English must be taught, whereas children learn to speak naturally without being taught.(The American Heritage Guide to Contemporary Usage and Style. Houghton Mifflin, 2005We need to know Standard English, but we need to know it critically, analytically, and in the context of language history. We also need to understand the regularity of non-standard variants. If w e approach good and bad grammar in this way, the study of language will be a liberating factor- not merely freeing learners from socially stigmatized usage by replacing that usage with new linguistic manners, but educating people in what language and linguistic manners are all about.(Edwin L. Battistella, Bad Language: Are Some Words Better Than Others? Oxford University Press, 2005 Tacit Conventions of Usage [T]he conventions of linguistic usage are tacit. The rules of standard English are not legislated by a tribunal but emerge as an implicit consensus within a virtual community of writers, readers, and editors. That consensus can change over time in a process as unplanned and uncontrollable as the vagaries of fashion. No official ever decided that respectable men and women were permitted to doff their hats and gloves in the 1960s or to get pierced and tattooed in the 1990s- nor could any authority with powers short of Mao Zedong have stopped these changes. In a similar manner, centuries of respectable writers have shrugged off long-forgotten edicts by self-appointed guardians of the language, from Jonathan Swift’s denunciation of banter, mob, and sham to Strunk and White’s disparaging of to personalize, to contact, and six people (as opposed to six persons).(Steven Pinker, False Fronts in the Language Wars. Slate, May 31, 2012 The Convenience of Standard English [Standard English is that] particular variety of English which is regarded by educated people as appropriate for most types of public  discourse, including most broadcasting, almost all publication, and virtually all conversation with anyone other than intimates... Standard English is not entirely uniform around the globe: for example, American users of standard English say the first floor and Ive just gotten a letter and write center and color, while British users say ground floor and Ive just got a letter and write centre and colour. But these regional differences are few in comparison with the very high degree of agreement about which forms should count as standard. Nevertheless, standard English, like all living languages, changes over time...It is important to realize that standard English is in no way intrinsically superior to any other variety of English: in particular, it is not more logical, more grammatical, or more expressive. It is, at the bottom, a convenience: the use of a single agreed standard form, learned by speakers everywhere, minimizes uncertainty, confusion, misunderstanding, and communicative difficulty generally.(R.L. Trask, Dictionary of English Grammar. Penguin, 2000 Origins of Standard English By far the most influential factor in the rise of  Ã¢â‚¬â€¹Standard English was the importance of London as the capital of England...London English took as well as gave. It began as a Southern and ended as a Midland dialect. By the 15th century, there had come to prevail in the East Midlands a fairly uniform dialect, and the language of London agrees in all important respects with it. We can hardly doubt that the importance of the eastern largely responsible for this change. Even such Northern characteristics as are found in the standard speech seem to have entered by way of these counties. The history of Standard English is almost a history of London English. (Albert C. Baugh and Thomas Cable, A History of the English Language, 5th ed. Prentice Hall, 2002)Half-way through the 17th century, the lexicographer Thomas Blount declares that the Babel of the vernacular made England a self-stranger nation- one growing alien to itself through this diversity of available forms . He dedicates his dictionary of 1656 to the cause of having English Englished. Arguably, in this context, it is not the rise of a standard variety of language, but a new awareness of dialect and variability of discourse- the self-stranger English of the Renaissance- that best defines the linguistic culture of early modern England. (Paula Blank, The Babel of Renaissance English. The Oxford History of English, ed. by Lynda Mugglestone. Oxford University Press, 2006 Varieties of Standard English [T]here is no such thing (at present) as a Standard English which is not British or American or Australian, etc. There is no International Standard (yet), in the sense that publishers cannot currently aim at a standard which is not locally bound.(Gunnel Melchers and Philip Shaw, World Englishes: An Introduction. Arnold, 2003)

Monday, February 24, 2020

Information Technology & Communication Coursework

Information Technology & Communication - Coursework Example Be it Americans or Asians, White or Black, human nature almost responds to the same way. For instance, if one receives an uninvited ad(s) on his/her mobile, most probably it would cause not only irritation but also discourage him/her to pay attention to other valuable messages/information. Let me clarify the situation by giving my own example. I keep on receiving Call/SMS package offers from the Cellular Company but I never bother to read such messages and delete them right away. Why? Because I am not interested in. Thus, in my case I would term it as a failed marketing. So I am trying to convey is that mobile marketing can surely drive better results provided if it is going to be a â€Å"Permission-Based Advertising† – i.e. with user’s prior permission to receive such ads. Lih-Bin Oh and Heng Xu (2003) stated, â€Å"Advertising researchers have devoted much attention to the study of irritation arising from advertisements such as TV commercials and Web pop-up ad vertisements. For the case of permission-based location-aware advertisements, the level of irritation should be rather low since messages are delivered with the receiver’s prior consent†.

Friday, February 7, 2020

Balanced scorecard in restaurant Essay Example | Topics and Well Written Essays - 1000 words

Balanced scorecard in restaurant - Essay Example s is presently the head chef as well as the owner of the restaurant and with his maverick ideas he has turned it into one of the most exciting restaurants in the entire United States of America. A balanced scorecard is applied to analyze the organization’s current situation. Based on this analysis a problem statement, present challenges, opportunities and possible management solutions are inferred and provided in this paper. Balanced scorecard, a strategic tool, developed by Robert Kaplan and David Norton (Value Based, n.d.).is used effectively in translating a company’s strategy and vision into the reality of implementation. Organization can perform this process of implementation from four different perspectives which include financial perspective, business process perspective, learning and growth perspective and customer perspective (Balanced Scorecard Institute, n.d.). A sound financial health is primary requisite of any business organisation. Therefore it becomes imperative to develop a financial objective and mission before taking the initiatives to achieve those missions and objectives. French Laundry restaurant is a three star restaurant in USA. It is a financially strong organization. Here a normal dinar costs almost 1500 dollar and people are found to be very much comfortable with this price (Sutton, R. January 13, 2009). However with USA being one of the most affected countries in the present recession, French Laundry’s current financial goals should therefore include cost reduction, growth and maximizing profit. Achievement of the Goals can be measured by comparing costs and profits of two consecutive years. Customer is another important element for any business organization. Present management philosophy is based on the fact that customer is the king in the market. An Organization not only needs to retain its existing customers but also to attract new customers in order to enjoy a sustainable growth. Strategies regarding

Wednesday, January 29, 2020

The Crucible and explore Essay Example for Free

The Crucible and explore Essay Choose one character from The Crucible and explore how they change throughout the course of the play.  The crucible is a play written by Arthur Miller and was first produced in 1953, during the middle of the McCarthy political witch-trials. The story is set in a little town of Salem, Massachusetts, where a lot of innocent people were wrongly convicted of witchcraft and in the end were hung. Arthur Miller was living through and experiencing this at the time, and wrote this play to try and get across what it was like living through this period of time. Throughout this play you see many characters develop and change as the plot goes on. One of the characters that shows a clear change and development is John Proctor. John Proctor was a farmer in his 30s, he was respected but also feared in Salem, he had a sharp and biting was with hypocrites and came to regard himself as a fraud. In act 1 Proctor comes across as a very flirtatious man. He seems to take a shine to Abigail. We know there has been some history between him and Abigail when he says I will cut off my hand before Ill ever reach for you again. But despite this he is still flirting with her by saying Ah, youre wicked yet, arent y. This shows he is giving her mixed messages and not taking her seriously. He can see that she is not as innocent as she makes out to be, and that he can see straight through her. This tells and shows the audience that the character of John Proctor is a very levelheaded man and talks sense. Unlike other characters such as Parris, he can see through her act. This gives you the impression that Proctor is a very reliable character and that he can be trusted. With Proctors flirtatiousness with Abigail he is also giving off the impression that he is not as much the religious man of Salem they all expect him to be. He broke one of the 10 commandments which says Thou shalt not commit adultery. This would be frowned upon in the town and would have been taken very seriously and may even have led to a hanging. The stage directions used in the first act also help us to visualise his flirty ways. At one stage when he is speaking to her he looks at her with the faintest suggestion of a knowing smile on his face to which he says Whats the mischief here? She replies with laugh. By adding in the stage directions it has changed the way Proctor addresses her while saying his line, it also affects the way Abigail reacts back when told to do so. Stage directions are important to the actor playing the part of Proctor as it tells them him how to say a line, how to react to something that has been said and how to move and interact in general. The stage directions are also to the audience reading the play as it helps them to imagine and visualise what is actually going on and reactions that are made. In act 2 Proctor changes from very flirtatious to very protective over his wife but he also gets very sharp with her and becomes irrational. When Elizabeth says something to her husband about or concerning Abigail he will instantly bite back at her and make sure what he is saying is heard. One example of this is when Elizabeth says to Proctor (with a smile, trying to keep her dignity) John, if it were not Abigail that you must go to hurt, would you falter now? I think not. To which Proctor replies (With solemn warning) You will not judge me more, Elizabeth. I have good reason to think before I charge fraud on Abigail, and I will think on it. Let you look to your own improvement before you go to judge your husband anymore. In a way it gives the impression that he doesnt like the truth and sometimes cant take it very well, so his reaction would be to bite back. As the plot goes on you can see Proctors good side starting to come through, even though he still gets aggressive and ill-tempered and easily provoked, the rest of the village are starting to understand why he retaliates so much and are starting to respect him more for that. In this act, to really get the feeling of Proctors anger and biting nature, the dramatic devices aid you extremely well in getting the full picture in your mind of how he is reacting to the things she is saying. By just reading through the play there is no indication of how the character says what he/she is saying. With Proctor this indication are very useful as his mood changes in different situations and helps you to understand when he is angry like he is in the part of the act. In act 3 Proctor changes dramatically to the way he is with certain characters. In this act you see him becoming very horrible and nasty towards Abigail. There are many ways in which his attitude changes towards her. In the stage directions it states that Proctor leaps at Abigail and, grabbing her by the hair pulls her to her feet. She screams in pain. This shows a change in the way Proctor addresses Abigail. He becomes aggressive towards her and uses forceful actions against her. I think he is fed up with putting up with all of Abigails lies against his wife and Mary Warren and the only way she is likely to listen to him and take in what he is saying is by using such drastic action as to leap at her and grab her by her hair. This, I would assume hurt, so he wants to cause her pain in hoping it will make her listen to what he is trying to tell her. This description being wrote as a stage directions acts as a visual aid for the reader, it helps them to visualise what is going on at that time in the scene and may give you as a reader more of an understanding what the author is trying to get across. Another way in which the author portrays Proctors turn against Abigail is through language. For example, It is not a child. Now hear me, sir. In the sight of the congregation she were twice this year put out of this meetin house for laughter during prayer. Proctor is trying to convince everyone that Abigail isnt as innocent as she makes out to be. The town of Salem is extremely religious and frowns upon anyone going against god or behaving in an unacceptable manner towards the religion. On account of them hearing this they would all immediately agree that it is unacceptable to laugh during prayer in the church and their views of her will turn from good to bad. Along with hearing this they may also believe that she hasnt been telling the truth from the start and that if she has in fact been lying god will see this and provide her with the suitable punishment instead of going about it themselves. In this act proctor also becomes very motivated to try and prove his wifes innocence and also the innocence of his friends. When Danforth takes an interest in Mary Warren and asks what she has to tell, Proctor looks at her to see that she cannot speak so he jumps in to defend her. She never saw no spirits, sir. Proctor does this because he notices that Mary Warren is unable to answer this question by herself therefore intervenes to help her. I think that Proctor has also seen the error of his ways, being the way he acted towards people earlier on in the play, and is trying to make amends for the bad things he has done. The last thing he wants to see happen is his wife and all of his friends being hung for things they have not done therefore does his best to defend them. Proctor also gives evidence against Abigail to change it around so she is the one being asked the questions instead and tries to make her the new subject. Abigail leads the girls to the woods, Your Honour, and they have danced there naked - In act 4 John Proctor becomes silent and wont speak to anyone except his wife, once she is aloud in to try and talk to him, he would only take food and would stay chained to the wall. One way in which we know this is when Herrick says to Danforth, He sits like some great bird; youd not know hed lived except he will take some food from time to time.And again when Herrick also says He cannot, sir, he is chained to the wall now. This is one of the biggest changes Proctor makes throughout the play. From the beginning we got the impression that John Proctor has always been well spoken and likes to have his views heard. Now we are seeing a completely different side to him by him staying silent. It is my personal opinion that Proctor is taking a stand against everything that has gone on in the town of Salem. He doesnt think its right all these judges coming in and accusing people of witchcraft without enough evidence and believing storys of little girls over people of superior like himself. He doesnt think he should have to justify himself when he has done nothing wrong and while no one else has done anything wrong. Later on this act Proctor decides to confess to accounts of witchcraft. While being addressed about this Proctor brakes down into tears and lowers himself for everyone to see. Because it is my name! Because I cannot have another in my life! Because I lie and sign myself to lies! Because I am not worth the dust on the feet of them that hang! How may I live without my name? I have given you my soul; leave me my name!. This shows Proctors delicate side. He feels that he himself should confess to charges of witchcraft in effort to save everyone who has been up for it. This short monologue really hits you hard as a reader. You realise that Proctor isnt all he is made out to be from the start. He is changed man by the end of the play. I think they writer of the play, Arthur Miller, wanted to produce a character who was tough on the outside yet very deep on insecure on the inside, and that is exactly what you see change throughout the course of the play. At the start he tries to make out that everyone in Salem fears him and that he is superior to everyone else, whereas he is just using this to cover up how insecure and fragile he is deep down. I think that Proctor is one of the best and complex characters I have seen in a book. He has a lot of depth to him that you wouldnt be able to tell from just a little section of the book. Right from the start to the end Proctor progressively changes for the better even thought at the end he sadly dies. He gives himself to the court to save others from the tragic fate that would have awaited them, and therefore I think that would make him a hero in the eyes of the people of Salem, putting himself forward for a fate he didnt deserve but still took without complaint.

Tuesday, January 21, 2020

Dracula Essay -- essays research papers

Bram Stoker’s Dracula Lords of the darkness, Darkling Dancers, Nosferatu, Vrikolakas. And the list goes on like this. The vampire concept is thought by the most to be a myth that has crept into almost every culture. It has influenced many writers to write novels on them and many directors to shoot films on. Vampire myths go back way into the times of first recorded history. Many different legends are known about them varying from the Chinese belief of the glowing red eyed monsters with green or pink hair to the Greek Lamia who has the upper body of a woman and the lower body of a winged serpent and the Japanese belief in the vampire foxes. The most commonly known legend which is widely used in filming is the blood drinking man who can transform into a bat or mist, wearing a black cape with a suit and with fangs in his mouth. This significant type is the one that is been explained widely in the eastern European myths. This vampire preys on human victims which are chosen at random by biting and sucking bloo d from the veins in the side of the neck at night time. The prey also becomes a vampire and joins the world of the undead. These specific vampires are the ones who cannot stand the sunlight which will burn them and they usually sleep in a coffin during the daytime. It is believed that these vampires are most active during full moon. They are immortal and they can only be killed if a wooden stake is run through the heart or when they are beheaded. In the year of 1879 an Irish writer, Bram Stoker, unheard with his previous novels and short stories gets inspired on this and writes the most famous books of all times. Here we are at the close of 1998, looking back and seeing the over two hundred theatrical performances and movies made on it. What’s more is that it is the second best seller book after The Bible in Western communities. This cult figure created by the crazy Irishman has effected us in our actions or emotions in some way. Crudely every single person on earth must have heard his name. But why? Looking onto the novel, there is a perfect gothic look presented to us with its every aspect. Infact every single concept covered comes deep from mythology. It talks about blood and fire, death and love, good and bad, fantasy and magic. And the Count; who sometimes happens to be an atrocital monster, a romantic lover†¦ No doubt, these make the novel even... ...e. These women are both Dracula’s lovers and daughters. And this is an example of Freud’s Odysseia Complex which is the base of Sophokles’s Odysseus tale. In Dracula’s character we also see signs of fascism. At the very beginning of the story when he and Jonathan are having dinner, he gets angry with Jonathan because what he speaks about disturbs his thoughts on his background and he pulls his sword out. In addition, he is always in a fascist approach to the Turks and the Gipsies. With these aspects of his, Dracula follows a political opinion and with his style and manner reminds us of the Nazis. Keeping all of these in mind we can see why the story of Dracula is so attractive to us. The Dracula character being a cult figure is because of the fact that his character carries the sins and the emotions of the 20th century: killing, rape, incest, fascism†¦ On the other hand, despite all these Dracula did not forget his true love. Maybe everyone of us finds his/her darkness in the Count and that’s why many people sympathise with him. Whatever it is, the truth is that in the end Count Dracula dies but in real world he has promoted to immortality as a heroic and charismatic character.

Monday, January 13, 2020

The Indigo Spell Chapter Twenty-One

SOME PART OF ME BEGGED FOR there to be a mistake. I watched the footage three more times, tossing crazy theories around in my head. Maybe Master Jameson had a twin who wasn't a fanatic who hated vampires. No. The video didn't lie. Only the Alchemists did. I couldn't ignore this. I couldn't wait. I needed to resolve this immediately. If not sooner. I sent Marcus a text as soon as my plane was on the ground: We meet tonight. No games. No runaround. TONIGHT. There was no response from him by the time I got back to my dorm. What was he doing? Reading Catcher in the Rye again? If I'd known what dive he was holed up in, I would've marched over there right then. There was nothing I could do but wait, so I called Ms. Terwilliger both as a distraction and to buy some freedom. â€Å"Nothing to report,† she told me when she answered. â€Å"We're still just watching and waiting – although, your extra charm is almost complete.† â€Å"That's not why I'm calling,† I said. â€Å"I need you to get me a curfew extension tonight.† I felt bad using her for something totally unrelated, but I had to do this. â€Å"Oh? Are you paying me an unexpected visit?† â€Å"Er – no. This is for something else.† She clearly thought that was funny. â€Å"Now you use my assistance for personal matters?† â€Å"Don't you think I've earned it?† I countered. She laughed, something I hadn't heard from her in a while. She agreed to my request and promised to call the dorm's front desk right away. As soon as we hung up, my phone chimed with the expected message from Marcus. All the text contained was an address that was a half hour away. Assuming he was ready for me now, I grabbed my messenger bag and got on the road. In light of my past meetings with Marcus, I wouldn't have been surprised if he'd led me to a department store or karaoke bar. Instead, I arrived at a vintage music shop, the kind that sold vinyl records. A large CLOSED sign hung on the door, emphasized by dark windows and an empty parking lot. I got out of my car and double-checked the address, wondering if my GPS had led me astray. My earlier zeal gave way to nervousness. How careless was this? One of Wolfe's first lessons was to avoid sketchy situations, yet here I was, exposing myself. Then, from the shadows, I heard my name whispered. I turned toward the sound and saw Sabrina materialize out of the darkness, carrying a gun as usual. Maybe if I showed her the one in my glove compartment, we could have a bonding moment. â€Å"Go around back,† she said. â€Å"Knock on the door.† Without another word, she returned to the shadows. The back of the building looked like the kind of place that screamed mugging, and I wondered if Sabrina would come to my aid if needed. I knocked on the door, half expecting some kind of speakeasy situation where I'd be asked for a password like â€Å"rusted iguana.† Instead, Marcus opened the door, ready with one of those smiles he kept hoping would win me over. Strangely, tonight it put me at ease. â€Å"Hey, gorgeous, come on in.† I stepped past him and found we were in the store's back room, which was filled with tables, shelves, and boxes of records and cassette tapes. Wade and Amelia stood against a wall in mirrored stances, their arms crossed over their chests. Marcus shut the door behind me and locked it. â€Å"Glad to see you back in one piece. Judging from your text – and your face – you found something.† All the rage I'd been holding in since my discovery came bursting out. I retrieved my laptop from my bag and had to resist the urge to slam it against a table. â€Å"Yes! I can't believe it. You were right. Your insane, far-fetched theory was right. The Alchemists have been lying! Or, well, some of them. I don't know. Half of them don't know what the other half's doing.† I expected some smug remark from Marcus or at least an â€Å"I told you so.† But that handsome face was drawn and sad, reminding me of the picture I'd seen of him and Clarence. â€Å"Damn,† he said softly. â€Å"I was kind of hoping you'd come back with a bunch of boring video. Amelia, go swap with Sabrina. I want her to see this.† Amelia looked disappointed to be sent away, but she didn't hesitate to obey his order. By the time Sabrina came back in, I had the video cued up to the correct time. They gathered around me. â€Å"Ready?† I asked. They nodded, and I could see a mix of emotions in all of them. Here it was, the conspiracy theory they'd all been waiting to prove. At the same time, the implications were staggering, and the three of them were well aware of how dangerous what they were about to see could be. I played the video. It was only a few seconds long, but they were powerful ones as that bearded figure appeared on the screen. I heard an intake of breath from Sabrina. â€Å"It's him. Master Jameson.† She looked between all our faces. â€Å"That's really the Alchemist place? He's really there?† â€Å"Yes,† said Wade. â€Å"And that's Dale Hawthorne with him, one of the directors.† That triggered a memory. â€Å"I know that name. He's one of Stanton's peers, right?† â€Å"Pretty much.† â€Å"Is it possible she wouldn't know about a visit like this?† I asked. â€Å"Even at her level?† It was Marcus who answered. â€Å"Maybe. Although, walking him right in there – even to the secure level – is pretty ballsy. Even if she doesn't know about the meeting, it's a safe bet others do. If it were completely shady, Hawthorne would've met him off-site. Of course, the secure list means this wasn't out in the open either.† So, it was possible Stanton hadn't lied to me – well, at least not about the Alchemists being in contact with the Warriors. She'd certainly lied about the Alchemists knowing about Marcus since he'd said he was a notorious figure to most higher-ups. Even if she was ignorant about Master Jameson, it didn't change the fact that other Alchemists – important ones – were keeping some dangerous company. Maybe I didn't always like their procedures, but I'd desperately wanted to believe they were doing good in the world. Maybe they were. Maybe they weren't. I just didn't know anymore. When I dragged my eyes from the frozen frame of Master Jameson, I found Marcus watching me. â€Å"Are you ready?† he asked. â€Å"Ready for what?† He walked over to another table and returned with a small case. When he opened it, I saw a small vial of silver liquid and a syringe. â€Å"What is – oh.† Realization hit me. â€Å"That's the blood that'll break the tattoo.† He nodded. â€Å"Pulling the elements out creates a reaction that turns it silver. It takes a few years, but eventually, the gold in your skin will fade to silver too.† All of them were looking at me expectantly, and I took a step back. â€Å"I don't know if I'm ready for this.† â€Å"Why wait?† asked Marcus. He pointed at the laptop. â€Å"You've seen this. You know what they're capable of. Can you keep lying to yourself? Don't you want to go forward with your eyes open?† â€Å"Well . . . yes, but I don't know if I'm ready to have some strange substance injected into me.† Marcus filled the syringe with the silver liquid. â€Å"I can demonstrate on my tattoo if it'll make you feel better. It won't hurt me, and you can see that there aren't any dire side effects.† â€Å"We don't know for sure that they've done anything to me,† I protested. He had a logical argument, but I was still terrified of taking this step. I could feel my hands shaking. â€Å"This could be a waste. There may be no group loyalty compulsion in me.† â€Å"But you also don't know for sure,† he countered. â€Å"And there's always a little loyalty put in the initial tattoo. I mean, not enough to make you some slave robot, but still. Wouldn't you feel better knowing everything's gone?† I couldn't take my eyes off the needle. â€Å"Will I feel any different?† â€Å"No. Although you could walk up to someone on the street and start telling them about vampires.† I couldn't tell if he was joking or not. â€Å"Then you'd just get thrown into a psych ward.† Was I ready for this? Was I really going to take the next step into becoming part of Marcus's Merry Men? I'd passed his test – which he'd been right about. Clearly, this group wasn't useless. They had eyes on the Alchemists and the Warriors. They also seemingly had the Moroi's best interests at heart. The Moroi – or, more specifically, Jill. I hadn't forgotten Sabrina's offhand remark about the Warriors being interested in a missing girl. Who else could it be but Jill? And did this Hawthorne guy have access to her location? Had he passed it on to Master Jameson? And would this information put those around her at risk, like Adrian? They were questions I didn't have the answers to, but I had to uncover them. â€Å"Okay,† I said. â€Å"Do it.† Marcus didn't waste any time. I think he was afraid I'd change my mind – which, perhaps, was not an unfounded fear. I sat down in one of the chairs and tipped my head to the side so that he'd have access to my cheek. Wade gently held my head with his hands. â€Å"Just to make sure you stay still,† he told me apologetically Before Marcus started, I asked, â€Å"Where'd you learn to do this?† His face had been solemn with the task ahead, but my question made him smile again. â€Å"I'm not technically tattooing you, if that's what you're worried about,† he said. I was actually worried about a lot of things. â€Å"These are just some small injections, just like being re-inked.† â€Å"What about the process itself? How'd you find out about it?† It was probably a question I should have asked before I sat down in this chair. But I hadn't expected to be doing this so soon – or suddenly. â€Å"A Moroi friend of mine theorized about it. I volunteered to be a guinea pig, and it worked.† He switched to business mode again and held up the needle. â€Å"Ready?† I took a deep breath, feeling like I was standing on the edge of a precipice. Time to jump. â€Å"Go ahead.† It hurt about as much as re-inking did, just a number of small pricks on my skin. Uncomfortable, but not really painful. In truth, it wasn't a long process, but it felt like it took forever. All the while, I kept asking myself, What are you doing? What are you doing? At last, Marcus stepped back and regarded me with shining eyes. Sabrina and Wade smiled too. â€Å"There you go,† Marcus said. â€Å"Welcome to the ranks, Sydney.† I took my compact out of my purse to check the tattoo. My skin was pink from the needle's piercing, but if this process continued to be like re-inking, that irritation would fade soon. Otherwise, the lily looked unchanged. I also didn't feel that changed on the inside. I didn't want to storm the Alchemist facility and demand justice or anything like that. Taking him up on his dare to tell an outsider about vampires was probably my best bet to see if my tattoo had been altered, but I didn't really feel like doing that either. â€Å"That's it?† I asked. â€Å"That's it,† Marcus said. â€Å"Once we get it sealed, you won't have to worry about – â€Å" â€Å"I'm not getting it sealed.† All those smiles vanished. Marcus looked confused, as though he might have misheard. â€Å"You have to. We're going to Mexico next weekend. Once that's done, the Alchemists won't ever be able to get to you again.† â€Å"I'm not getting it sealed,† I repeated. â€Å"And I'm not going to Mexico.† I gestured toward my laptop. â€Å"Look what I was able to pull off! If I stay where I'm at, I can keep finding out more. I can find out what else the Alchemists and Warriors are doing together.† I can find out if Jill is in danger. â€Å"Getting permanently marked and becoming an outcast kills all those opportunities for me. There's no going back after that.† I think Marcus almost always got his way, and this new development totally threw him off. Wade took up the argument. â€Å"There's no going back now. You're leaving a trail of bread crumbs. Look at what you've done. You already made inquiries about Marcus. Even if you haven't gotten super-friendly with the Moroi, the Alchemists still know you spend a lot of time with them. And one day, someone may realize you were there when the data was stolen.† â€Å"No one knows it was stolen,† I said promptly. â€Å"You hope they don't,† corrected Wade. â€Å"These little things are enough to raise red flags. Keep doing more, and you'll make it worse. They'll finally notice you, and that's when it'll be over.† Marcus had recovered from his initial shock. â€Å"Exactly. Look, if you want to stay where you're at until we go to Mexico, that's fine. Make your peace with it or whatever. After that, you need to escape. We'll keep working from the outside.† â€Å"You can do whatever you want.† I began packing up my laptop. â€Å"I'm going to work from the inside.† Marcus caught hold of my arm. â€Å"You're setting yourself up for a fall, Sydney!† he said sternly. â€Å"You're going to get caught.† I pulled away from him. â€Å"I'll be careful.† â€Å"Everyone makes mistakes,† said Sabrina, speaking up for the first time in a while. â€Å"I'll take that risk.† I slung my bag over my shoulder. â€Å"Unless you guys are going to forcibly stop me?† None of them answered. â€Å"Then I'm going. I'm not afraid of the Alchemists. Thank you for everything you've done. I really do appreciate it.† â€Å"Thank you,† said Marcus at last. He shook his head at Wade, who looked like he wanted to protest. â€Å"For getting the data. I honestly didn't think you'd be able to pull it off. I figured you'd return empty-handed, though I still would've broken the tattoo for you. A for effort, you know. Instead, you just proved what I'd thought before: you're remarkable. We could really use you.† â€Å"Well, you know how to get in touch with me.† â€Å"And you know how to get in touch with us,† he said. â€Å"We'll be here all week if you change your mind.† I opened the door. â€Å"I won't. I'm not running away.† Amelia called goodbye to me when I got into my car, oblivious to the fact that I'd just defied her beloved leader. As I drove back to Amberwood, I was amazed at how free I felt – and it had nothing to do with the tattoo. It was the knowledge that I had defied everyone – the Alchemists, the Warriors, the Merry Men. I didn't answer to anyone, no matter the cause. I was my own person, able to take my own actions. It wasn't something I had a lot of experience with. And I was about to do something drastic. I hadn't told Marcus and the gang because I'd been afraid they really would stop me. When I got back to Amberwood, I went straight to my room and dialed Stanton. She answered on the first ring, which I took as a divine sign that I was doing the right thing. â€Å"Miss Sage, this is unexpected. Did you enjoy the services?† â€Å"Yes,† I said. â€Å"They were very enlightening. But that's not why I'm calling. We have a situation. The Warriors of Light are looking for Jill.† I wasn't going to waste any time. â€Å"Why on earth would they do that?† She sounded legitimately surprised, but if there was one thing in all of this that I believed wholeheartedly, it was that the Alchemists were exceptional liars. â€Å"Because they know if Jill's whereabouts got out, it could throw the Moroi into chaos. Their focus is still on the Strigoi, but they wouldn't mind seeing thing go bad for the Moroi.† â€Å"I see.† I always wondered if she paused to gather her thoughts or if it was simply for effect. â€Å"And how exactly did you learn this?† â€Å"That guy I know who used to be with the Warriors. We're still friendly, and he's been having doubts about them. He mentioned hearing them talk about finding a missing girl that could cause all sorts of trouble.† Maybe it was wrong to drag Trey into this lie, but I seriously doubted Stanton would interrogate him anytime soon. â€Å"And you assume this is Miss Dragomir?† â€Å"Come on,† I exclaimed. â€Å"Who else would it be? Do you know any other Moroi girls? Of course it's her!† â€Å"Calm down, Miss Sage.† Her voice was flat and untroubled. â€Å"There's no need for theatrics.† â€Å"There's a need for action! If they might be on to her, then we need to get out of Palm Springs immediately.† â€Å"That,† she said crisply, â€Å"is not an option. A lot of planning went into getting her to her current location.† I didn't believe that argument for a second. Half our job was doing damage control and adapting to rapidly changing situations. â€Å"Yeah? Well, did you also plan on those psycho vampire hunters finding her?† Stanton ignored the jab. â€Å"Do you have any evidence at all that the Warriors actually have concrete data about her? Did your friend supply you with details?† â€Å"No,† I admitted. â€Å"But we still need to do something.† â€Å"There's no ‘we' here.† Her voice had gone from flat to icy. â€Å"You do not decide what we do.† I nearly protested and then caught myself. Horror set in. What had I just done? My initial intent had been to either get Stanton to take legitimate action or else find out if she might accidentally reveal knowledge of a Warrior connection. I'd thought mentioning Trey would give me valid backup since I could hardly tell her the real reason I feared for Jill. Yet, somehow, I'd gone from a request to a demand. I'd practically yelled an order at her. That wasn't typical Sydney behavior. That wasn't typical Alchemist behavior. What had Wade said? You're leaving a trail of bread crumbs. Was this because I'd broken the tattoo? This was no crumb. This was a full loaf. I was on the verge of insubordination, and my mind could suddenly imagine that list Marcus kept warning about, the one that kept track of every suspicious thing I did. Was Stanton already updating that list right now? I had to fix this, but how? How on earth did I take this back? My mind was racing frantically, and it took several moments for me to calm down and start thinking logically. The mission. Focus on the mission. Stanton would understand that. â€Å"I'm sorry, ma'am,† I said at last. Be calm. Be deferential. â€Å"I'm just . . . I'm just so worried about this mission. I saw my dad at the services, you know.† That would be a fact she could check on. â€Å"You had to have seen how it was that night I left. How bad things are between us. I . . . I have to make him proud. If things fall apart here, he'll never forgive me.† She didn't respond, so I prayed that meant she was listening intently . . . and believing me. â€Å"I want to do a good job here. I want to fulfill our goals and keep Jill hidden. But there have already been so many complications no one predicted – first Keith and then the Warriors. I just never feel like she's fully safe now, even with Eddie and Angeline. It eats at me. And – † I was no actress who could muster tears, but I did my best to make my voice crack. â€Å"And I never feel safe. I told you, when I asked to go to the services, how overwhelming it is with the Moroi. They're everywhere – and the dhampirs too. I eat with them. I'm in class with them. Being with other Alchemists this last weekend was a lifesaver. I mean, I'm not trying to dodge my duties, ma'am. I understand we have to make sacrifices. And I've gotten better around them, but sometimes the stress is just unbearable – and then when I heard this thing about the Warriors, I cracked. All I could think about was that I might fail. I'm sorry, ma'am. I shouldn't have flipped o ut on you. I was out of control, and it was unacceptable.† I cut off my rant and tensed as I waited for her response. Hopefully I'd given her enough to dismiss any thoughts of me being a dissident. Of course, I might have just come off as a totally weak and unstable Alchemist who needed to be pulled from this mission. If that happened . . . well, maybe I'd have to take Marcus up on Mexico. Her characteristic pause was especially painful this time. â€Å"I see,† she said. â€Å"Well, I'll take this all into consideration. This mission is of the utmost importance, believe me. My earlier questioning of your information was not some weakening of our resolve. Your concerns have been heard, and I will decide the best course of action.† It wasn't exactly what I wanted, but hopefully she would be true to her word. I really, really wanted to believe she was on the up-and-up. â€Å"Thank you, ma'am.† â€Å"Is there anything else, Miss Sage?† â€Å"No, ma'am. And . . . and I'm sorry ma'am.† â€Å"Your apology is noted.† Click. I'd paced while I'd talked and now stood staring at the phone. A gut instinct told me I really had driven Stanton to take some sort of action. The mystery was whether that action would prove beneficial or catastrophic for me. Falling asleep was difficult after that, and it had nothing to do with Veronica for a change. I was too keyed up, too anxious about what had happened with Marcus and Stanton. I tried to seize that feeling of freedom again, using it to strengthen me. It was only a spark this time, flickering with my new uncertainties, but it was better than nothing. I fell asleep sometime around three. I had a vague sense of a couple hours passing before I was swept into one of Adrian's dreams, back in the reception hall. â€Å"Finally,† he said. â€Å"I almost gave up checking in. I thought you were going to pull an all-nighter.† He'd stopped wearing his suit in these dreams, probably because I always showed up in jeans. Tonight he wore jeans also, along with a plain black T-shirt. â€Å"Me too.† I wrung my hands and began pacing here as well. The nervous energy from my waking self had carried over into the dream. â€Å"A lot of stuff's kind of happened tonight.† The dream felt real, solid. Adrian was sober. â€Å"Didn't you just get back? How much could've happened?† When I told him, he shook his head in amazement. â€Å"Man, Sage. It's all or nothing with you. Never a dull moment.† I came to a halt in front of him and leaned against a table. â€Å"I know, I know. Do you think I just made a huge mistake? God, maybe Marcus was right, and there was some compulsion forcing me to be loyal in the tattoo. I'm free for one hour and completely go over the edge with my superior.† â€Å"It sounds like you covered your tracks,† he said, though a small frown appeared on his face. â€Å"But I would be disappointed if they sent you somewhere less stressful. That seems like it might be the worst-case scenario from everything you said.† I started laughing, but it was the hysterical kind. â€Å"What in the world's happened to me? I was doing crazy stuff way before Marcus broke the tattoo tonight. Meeting with rebels, chasing evil sorceresses, even buying that dress! Yelling at Stanton is just one more thing on a long list of insanity. It's just like I said at Pies and Stuff: I don't know who I am anymore.† Adrian smiled and clasped my hands, taking a few steps toward me. â€Å"Well, first off, I'm the expert in insanity, and this is nothing. And as for who you are, you're the same beautiful, brave, and ridiculously smart caffeinated fighter you've been since the day I met you.† Finally, he put â€Å"beautiful† at the top of his list of adjectives. Not that I should have cared. â€Å"Sweet talker,† I scoffed. â€Å"You didn't know anything about me the first time we met.† â€Å"I knew you were beautiful,† he said. â€Å"I just hoped for the rest.† He always got this glint in his eyes when he complimented my looks, like he was seeing so much more than just my actual appearance. It was disorienting and heady . . . but I didn't mind. And that wasn't the only thing I suddenly found overwhelming. How had he gotten so close to me without me even realizing it? It was like he had secret stealth abilities. His hands were warm on mine, our fingers locked together. I still had remnants of that earlier joy within me, and being connected to him amplified those feelings. The green of his eyes was as lovely as usual, and I wondered if mine had the same effect on him. There was a little amber mixed with the brown that he had once said looked like gold. He's the only one who never tells me to do anything, I realized. Oh, sure, he asked me to do lots of things, often with cajoling and fast talking. But he made no demands on me, not like the Alchemists or Marcus. Even Jill and Angeline tended to preface their requests with, â€Å"You have to . . .† â€Å"Speaking of that dress,† he added, â€Å"I still haven't seen it.† I laughed softly. â€Å"You couldn't handle it.† He raised an eyebrow at that. â€Å"Is that a challenge, Sage? I can handle a lot.† â€Å"Not if our history is any indication. Each time I wear some moderately attractive dress, you lose it.† â€Å"That's not exactly true,† he said. â€Å"I lose it no matter what you're wearing. And that red dress was not ‘moderately attractive.' It was like a piece of heaven here on earth. A red, silky piece of heaven.† I should've rolled my eyes. I should've told him I wasn't here for his personal entertainment. But there was something in the way he was looking at me and something in the way I felt tonight that made me want to see his reaction. Breaking the tattoo hadn't affected anything between us, but it – and the deeds I'd done this weekend – had left me feeling bold. For the first time, I wanted to take a risk with him, despite my usual set of logical arguments. Besides, there was nothing dangerous in letting him look. I manipulated the dream the way he'd taught me. A few moments later, the lacy minidress replaced my jeans and blouse. I even summoned the heels, which bumped my height up. I was still nowhere near as tall as him, but the small boost brought our faces closer together. His eyes widened. Still holding my hands, he took a step back so that he could take in the whole look. There was almost something tangible to the way his gaze swept my body. I could practically feel every place it touched. By the time his eyes reached mine again, my breathing was heavy, and I was acutely aware that there really wasn't that much clothing between the two of us. Maybe there was something dangerous in letting him look after all. â€Å"A piece of heaven?† I managed to ask. He slowly shook his head. â€Å"No. The other place. The one I'm going to burn in for thinking what I'm thinking.† He'd moved toward me again. His hands released mine and moved to my waist, and I noticed I wasn't the only one breathing heavily. He pulled me to him, bringing our bodies together. The world was all heat and electricity, thick with tension that was only one spark away from exploding around us. I was balancing on another precipice, which wasn't easy to do in heels. I wrapped my arms around his neck, and this time I was the one who drew him closer. â€Å"Damn,† he murmured. â€Å"What?† I asked, never taking my eyes off his. He ran his hands over my hips. â€Å"I'm not supposed to kiss you.† â€Å"It's okay.† â€Å"What is?† â€Å"It's okay if I kiss you.† Adrian Ivashkov wasn't easy to surprise, but I surprised him then when I brought his mouth toward mine. I kissed him, and for a moment, he was too stunned to respond. That lasted for, oh, about a second. Then the intensity I'd come to know so well in him returned. He pushed me backward, lifting me so that I sat on the table. The tablecloth bunched up, knocking over some of the glasses. I heard what sounded like a china plate crash against the floor. Whatever logic and reason I normally possessed had melted away. There was nothing but flesh and fire left, and I wasn't going to lie to myself – at least not tonight. I wanted him. I arched my back, fully aware of how vulnerable that made me and that I was giving him an invitation. He accepted it and laid me back against the table, bringing his body down on top of mine. That crushing kiss of his moved from my mouth to the nape of my neck. He pushed down the edge of my dress and the bra strap underneath, exposing my shoulder and giving his lips more skin to conquer. A glass rolled off and smashed, soon followed by another. Adrian broke off his kissing, and I opened my eyes. He had an exasperated look on his face. â€Å"A table,† he said. â€Å"A goddamned table.† A few moments later, the table was gone. I was in his apartment, on his bed, and was glad that I no longer had silverware underneath me. With the venue change complete, his lips found mine again. The urgency in the way I responded surprised even me. I never would've thought myself capable of a feeling so primal, so removed from the reason that usually governed my actions. My nails dug into his back, and he trailed his lips down the edge of my chin, down the center of my neck. He kept going until he reached the bottom of the dress's V-neck. I let out a small gasp, and he kissed all around the neckline, just enough to tease. â€Å"Don't worry,† he murmured. â€Å"The dress stays on.† â€Å"Oh? Is that your decision to make?† â€Å"Yes,† he said. â€Å"You're not losing your virginity in a dream. If that's even possible. I don't want to deal with the philosophical side of it. And besides, there's no need to rush anyway. Sometimes it's worth lingering on the journey for a while before getting to the destination.† Metaphors. This was the cost of making out with an artist. I nearly said as much. Then his hand slid up my bare leg, and I was lost again. Maybe the dress was staying on, but he didn't mind taking liberties with it. That hand slipped under my dress, running along the side of my leg and up to my hip. I burned where he touched me, and everything within me became focused on that hand. It was moving far too slowly, and I grabbed it, ready to urge it on. Adrian chuckled and caught hold of my wrist, pulling my hand away and pinning it down against the covers. â€Å"Never thought I'd be the one slowing you down.† I opened my eyes and met his. â€Å"I'm a quick study.† All that burning and animal need within me must have shone through because he caught his breath and lost the smile. He released my wrist and cupped my face in his hands, bringing his face down only a whisper away from mine. â€Å"Good God, Sydney. You are – † The passion in his eyes turned to surprise, and he suddenly looked up. â€Å"What's wrong?† I asked, wondering if this was some weird part of â€Å"the journey.† He grimaced and began to fade away before my eyes. â€Å"You're being woken up.†

Sunday, January 5, 2020

Vietnam s Smoking Situation As A Case Study - 885 Words

III. Vietnam’s smoking situation as a case study 1. Smoking in Viet Nam Viet Nam is one of the countries that have the highest smoking rate in the world. In 2010, almost a half of Vietnamese men (47.4%) and 1.4% of Vietnamese female citizens were reported as smokers. From 2002 to 2010, the smoking rates had reduced (male: 56.1% to 47.4%; female: 1.8% to 1.4%). However, due to the Vietnamese population had skyrocketed during 10 years before 2010, the absolute number of Vietnamese smokers had unlikely declined from 1997 to 2010, around 15.5 million and 15.3 million, respectively. Moreover, some experts view that due to the globalization and ‘rising income’ in Viet Nam may lead to the increase of female smokers in future. More seriously, smoking also influenced to non-smokers who was suffering second-hand smoke. In 2001/2002, 63% Vietnamese families have smokers and 71% Vietnamese children under 6 year old lived in smoking environment. Tobacco use has been a leading cause of killing non-communicable in Viet Nam, such as lung cancer. According to a report in 2007, 87% of lung cancer male patients in Viet Nam were ‘current or ex-smokers’ and this number of female patients was 11%. It caused approximately 44,000 deaths in 2008 and this number was predicted to grow up to more than 50,000 in 2023. Smoking charges directly to the income of smokers and Vietnamese smokers totally paid approximately VND14,000 billion for tobacco. In addition, tobacco use also imposes aShow MoreRelatedAnalysis Of The Book The Outsiders 1106 Words   |  5 PagesGreasers and the Socs) in the town of Tulsa, Oklahoma. During the 1960’s there were many social changes that divided many and ended in violence (Hinton 2). The publishers chose to publish the book using her initials to make The Outsiders more appealing to their male readers. When The Outsiders was published it was a very controversial book, and I believe it still is. S.E. 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